The Nolan-oscopy: THE PRESTIGE
Joon returns to pour over Nolan’s underrate, twisty, remarkably po-faced tale of dueling 19th century stage magicians, which is actually way better than that sentence sounds.
The Nolan-oscopy: THE PRESTIGE Read More »
All things SEEN-EE-MAH
Joon returns to pour over Nolan’s underrate, twisty, remarkably po-faced tale of dueling 19th century stage magicians, which is actually way better than that sentence sounds.
The Nolan-oscopy: THE PRESTIGE Read More »
Chris Prentice returns to RAAAAAAACHEL!!! STAYWITHMEEEEEEEE!!!
The Nolan-oscopy: Batman Begins Read More »
Brett Blake returns to talk about Nolan’s oft-overlooked dirty cop thriller.
The Nolan-oscopy: Insomnia Read More »
The Nolanoscopy gets into swing with Nolan’s breakthrough effort, the dazzling feat of reverse chronology MEMENTO.
The Nolan-oscopy: MEMENTO Read More »
The Frame Work All-Stars assemble for the ultimate movie trivia challenge FRAME WORK PRESENTS: THE MOVIE SEQUEL TITLE GAME: VOL I.: NOMENCLATURE RISING. How many DTV American Pie sequels can you name ? Who could possibly rattle off the entire Hellraiser franchise from memory? Who has never seen Dirty Harry? How long will it take
THE SEQUEL TITLE GAME Read More »
Educator and artist Sybille Bruun joins the guys to talk about Stephen King’s magnum opus (no, the other one) IT. We dive right into the essential nature of horror and America, and how the recent adaptation managed to find an entirely different batshit, offensive coda for the material the book’s, which was already so batshit
A new director series begins with Christopher Nolan’s debut, the black-and-white noir exercise FOLLOWING. Although the guys can’t seem to focus for too long on this extended short film, so there is just as much talk about what is to come when the stodgy Brit gets to stretch his wings to make MEMENTO, THE DARK
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We rank things out and try to figure out what we learned about the elusive Mr. Fincher.
Finch Club – The Rankings Read More »
James Gunn tries to bring some Troma energy to superhero hijinks, and the guys are sort of here for it, but a little lukewarm? We try to figure out if that is because vulgar violent superhero excess has become ground too well-trodden to be shocked by, or because Gunn himself has done better versions of
Joon is back, Al is cranky, Gary Oldman is miscast, and our journey through the David Fincher filmography is complete.