The Raimi-verse of Sam-ness: THE EVIL DEAD
Get in, nerds, we’re doing a Raimi series.
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Film
All things SEEN-EE-MAH
OBSESSION & BACKROOMS
Al has caught up on some of the breakout horror of the summer, so let’s talk about that.
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THE END OF OAK STREET
Joon Kim came back to talk with us about dinosaur movies, Ewan McGregor’s American accent, and time paradoxes.
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The Nolan-Oscopy: THE ODYSSEY
Sing to us, O Muse, of determined men, haunted by dead women, consciously embracing lies; of nested framing devices, portentous insert shots, and groundbreaking IMAX-ery.
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And Now For Something Completely Gilliam: THE RANKINGS
We wrap up the Gilliam restrospective in the internet’s love language, ranked lists.
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And Now For Something Completely Gilliam: THE MAN WHO KILLED DON QUIXOTE
Gilliam’s career comes to its likely close with a film with a film that somehow managed to be one of the hardest-fought triumphs in the history of film, and appropriately doomed to immediate obscurity.
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And Now For Something Completely Gilliam: ZERO THEOREM
In which Gilliam gets back to form, sorta, with this basically functional dystopian satire.
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And Now For Something Completely Gilliam: THE IMAGINARIUM OF DOCTOR PARNASSUS
Look, it’s really very simple. Heath Ledger is a suicidal fraud with amnesia and a magic pipe, who is also sometimes 3 other actors, and falls in with a medieval theater troupe in present-day London, where they operate as a front for an immortal, alcoholic monk with a post-graduate degree who uses a magical
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And Now For Something Completely Gilliam: TIDELAND
Gwen Sisco returns to offer measured defense of possibly Gilliam’s least-loved film.
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