The Great Comedy Villains
We’re talking all our favorite snobs, bullies, sex pests, bureaucrats, supervillains and…golfers?
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Finch Club: Gone Girl
Brendan Leonard joins us to discuss Fincher’s satirical thriller. We’re talking media satire, marriage as a fraud upon the public, where Fincher and author/screenwriter Gillian Flynn’s real allegiances lie, and the ultimate battle of the sexes as Kim Dickens faces off against Tyler Perry.
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On Arnold Schwarzenneger
Chris Prentice returns to discuss the meteoric rise of possibly the biggest, most unlikely and unique star in the history of Hollywood: Arnold Alois Schwarzenegger. No one did it like him. Is that because he is a one-of-a-kind talent, or because he is just an inhuman brick that can only play cyborgs believably?
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Finch Club – The Girl With The Dragon Tattoo
Elisabeth Rappe joins the guys to talk about Fincher’s opening to an aborted trilogy, which somehow operates as a triptych of films unto itself. Rated “S” for Stellan Skarsgaard, Serial Killers, Sexual Assault, and Superfluous Swedish-ness.
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TV SET: Mare Of Easttown
It’s all accents, ACAB and antiheroes as the guys sit down to talk about HBO’s latest prestige murder mystery.
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The Bioware Omnibus – Baldur’s Gate
The guys welcome old internet friend Brad Millette to begin the long journey through the catalogue of epic single player RPGs the Bioware company has produced over the three decades. First up is the Advanced Dungeons & Dragons port, Baldur’s Gate, which we find to be something of an beta test for what the Bioware
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What If The Oscars Took Comedy Seriously?
In this episode, the guys contemplate an alternate reality where the Oscars are biased toward broad, capital-C Comedies rather than stately costume dramas and respectful biopics. Which is very important cultural commentary, and definitely not just an excuse to talk about how incredible Bill Murray is in KINGPIN.
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Finch Club – The Social Network
If you are trying to be an asshole, haven’t you already succeeded?
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Finch Club: The Curious Case Of Benjamin Button
Joon Kim makes a triumphant return to help try to crack the case of BENJAMIN BUTTON. Who thought this movie needed to be 3 hours long? What drew Fincher to material so spectacularly ill-suited to his talents? Where did the sudden godlike omniscience in Benjamin’s narration come from, or disappear to? Why did Eric Roth
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Stephen King’s The Dark Tower
As a sort of counterpoint to all the fawning over Peter Jackson’s LOTR trilogy, John and Al look at another adaptation of an epic fantasy series that fell flat on its face. Both have intense love for Stephen King’s magnum opus, despite wildly different views of the ending stretch.
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